Listening to JazzChapter SummaryAn OverviewJazz can be partly defined as a balance between the individual voices that constitute an ensemble and the collective expression unique to that ensemble. It is a music of performers more than composers and understanding jazz requires an understanding of the jazz performer. Each artist contributes a very personal and unique expression to the development and continuing vitality of the music. In the dawn of jazz history, all music that was not clearly classical was generally considered jazz. Often called “America’s classical music,” jazz was the first music to claim a dominant foothold in the American identity. Jazz is a rich blend of musical and cultural elements like:
What To Listen For In JazzTo appreciate jazz, or many other forms of music, the listener must be actively involved. Unlike a work of visual art that can be experienced in total at once, music is experienced linearly, over time. Music listeners have the task of remembering a theme or phrase and recognizing it when it occurs again later in the same piece. Learning about and understanding jazz contributes to the pleasure of hearing it. One technique of active listening is to concentrate on the individual elements that comprise a piece of music. What instruments can be heard? What sound or voice is prominent? Is it a saxophone? The rhythm section? How fast or slow are they playing? Is the soloist playing many notes in rapid succession or just a few? Do you hear repetition? Contrast? (Repetition is the same musical material in two or more parts of a composition. Contrast is the introduction of different musical material.) These are just some questions to consider while listening to jazz. Form is the overall structure of a musical composition or performance. Most jazz pieces have simple forms. A simple form allows the instrumentalists to internalize the structure freeing them up to embellish, interpret, and improvise. The instrumentalists focus on spontaneous, creative expression. Many sounds can be uniquely associated with jazz. Certain sounds peculiar to jazz have their origins in oral tradition—growls, bends, slurs, and varying shades of vibrato. These result from instrumentalists imitating vocal techniques. Many sounds of jazz are personified and identified through the musical interpretation of specific artists. Rhythm, Syncopation, and SwingEmphasis on rhythm has always been an integral part of jazz. Sometimes jazz players do not always play exactly in rhythm with the established pulse of a tune. (In fact, all elements of jazz—melody, structure, harmony, and rhythm—are fair game for interpretation.) Jazz makes use of a specific type of rhythmic treatment called syncopation. Syncopation is when the notes between the beats are accented more than the notes on the beat. Swing is a combination of delayed notes and their accents give the performance its characteristic momentum; its swing. Jazz performances are usually very rhythmic and syncopated and have varying amounts of swing. Improvisation and CompositionIn jazz, the composition is most often just a blueprint of a performance. Artists infuse the composition with their own spontaneous creativity so that performances of a composition are unique. Performers have several options when approaching a composition. They may play:
ConclusionUnderstanding the historical context of this art form as well as the identifying characteristics that distinguish it from other styles of music will help listeners enjoy and appreciate jazz. | ||||||
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