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Compare Wesselmann’s Great American Nude with Titian’s Venus of Urbino (from Chapter 16) and Manet’s Olympia (from Chapter 23). How does each reflect its context? |
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| 2 | |
Discuss the autobiographical content of Hesse’s Metronomic Irregularity I and Beuys’s Coyote, I Like America and America Likes Me. |
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| 3 | |
Compare and contrast Marisol’s Last Supper with Leonardo’s. |
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Compare Judd’s Untitled with Martin’s Untitled #9. To what degree is each a Minimalist work? What are the formal and conceptual differences and similarities? |
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| 5 | |
Explain the Conceptualist emphasis on language and text, and describe an example. |
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