 |
| 1 | |
Cubism is a painting style invented by |
| | A) | Georges Braque and Salvador Dali. |
| | B) | Claude Monet and Pablo Picasso. |
| | C) | Georges Braque and Pablo Picasso. |
| | D) | Juan Miró and Pablo Picasso. |
| | E) | Claude Monet and Eduard Manet. |
|
|
|
| 2 | |
"Kinetic art" is defined as |
| | A) | art that involves an element of motion. |
| | B) | art that can't be neatly categorized. |
| | C) | art that emphasizes the flatness of a surface. |
| | D) | art used in decoration. |
| | E) | All these answers are correct. |
|
|
|
| 3 | |
In their choice of subject matter, Surrealists were most heavily influenced by |
| | A) | feminism. |
| | B) | Marxism. |
| | C) | Impressionism. |
| | D) | Freudian psychology. |
| | E) | Futurism. |
|
|
|
| 4 | |
Shape in art can be |
| | A) | a line enclosing an area. |
| | B) | a visually perceived area of value or texture. |
| | C) | endlessly variable in size, position, and balance. |
| | D) | amorphous or implied. |
| | E) | All these answers are correct. |
|
|
|
| 5 | |
Art that encompasses non-recognizable imagery is called |
| | A) | subjective. |
| | B) | realistic. |
| | C) | naturalistic. |
| | D) | objective. |
| | E) | representational. |
|
|
|
| 6 | |
Shapes in art can be used to |
| | A) | achieve order, harmony, and variety. |
| | B) | create the illusion of mass, volume, and space. |
| | C) | establish the rhythm of a composition. |
| | D) | evoke a specific emotion. |
| | E) | All these answers are correct. |
|
|
|
| 7 | |
Natural, organic shapes, as seen in the works of Joan Miró and Hayao Miyazaki, are known as |
| | A) | implied shapes. |
| | B) | biomorphic shapes. |
| | C) | planar shapes. |
| | D) | equivocal shapes. |
| | E) | cubist shapes. |
|
|
|
| 8 | |
All of the following were painters in the Cubist style except |
| | A) | Juan Gris. |
| | B) | Pablo Picasso. |
| | C) | Georges Braque. |
| | D) | Fernand Léger. |
| | E) | Francisco Goya. |
|
|
|
| 9 | |
Dorothea Rockburne's Mozart and Mozart Upside Down and Backward is representative of |
| | A) | Neo-Abstractionism. |
| | B) | Cubism. |
| | C) | Symbolism. |
| | D) | Fantasism. |
| | E) | Surrealism. |
|
|
|
| 10 | |
Cubism was crucial to the development of |
| | A) | linear perspective. |
| | B) | abstract art. |
| | C) | Surrealism. |
| | D) | Impressionism. |
| | E) | None of these answers is correct. |
|
|
.