|
| Literature, 5/e Robert DiYanni
Table of Contents- INTRODUCTION: READING (AND WRITING ABOUT) LITERATURE
- Reading Literature
- The Pleasures of Reading Literature
- The Pleasures of Fiction
- The Dog and the Shadow
- Learning to Be Silent
- *Reading the parable in Context
- The Pleasures of Poetry
- Robert Frost, Dust of Snow
- *Reading Frost's poem in Context
- The Pleasures of Drama
- Understanding Literature: Experience/ Interpretation/
Evaluation
- Writing About Literature
- Reasons for Writing about Literature
- *Reading a play in Context
- Ways of Writing about Literature
- The Writing Process
- Drafting
- Revising
- Editing
PART ONE: FICTIONCHAPTER 1: READING STORIES- Luke, The Prodigal Son
- The Experience of Fiction
- The Interpretation of Fiction
- *Reading in Context
- The Evaluation of Fiction
- John Updike, A&P
- The Act of Reading Fiction
- Kate Chopin, The Story of an Hour
CHAPTER 2: TYPES OF SHORT FICTION- Early Forms: Parable, Fable, and Tale
- Aesop, The Wolf and the Mastiff
- Petronius, The Widow of Ephesus
- The Short Story
- The Nonrealistic Story
- The Short Novel
CHAPTER 3: ELEMENTS OF FICTION- Plot and Structure
- Frank O'Connor, Guests of the Nation
- Character
- Kay Boyle, Astronomer's Wife
- Setting
- Bobbie Ann Mason, Shiloh
- Point of View
- William Faulkner, A Rose for Emily
- Language and Style
- James Joyce, Araby
- Theme
- Eudora Welty, A Worn Path
- Irony and Symbol
- D. H. Lawrence, The Rocking-Horse Winner
CHAPTER 4: WRITING ABOUT FICTION- Reasons for Writing about Fiction
- Informal Ways of Writing about Fiction
- Katherine Anne Porter, Magic
- Formal Ways of Writing about Fiction
- Student Papers on Fiction
- Questions for Writing about Fiction
- Suggestions for Writing
CHAPTER 5: THREE FICTION WRITERS IN CONTEXT- Reading Edgar Allan Poe, Flannery O'Connor, and Sandra
Cisneros in Depth
- *Edgar Allan Poe in Context
- *Poe and Journalism / Poe and The Horror Story / Poe
and The Detective Story / The Dimension of Style/
Timeline
- Edgar Allan Poe: Stories:
- *The Black Cat
- *The Cask of Amontillado
- *The Fall of the House of Usher
- *The Purloined Letter
- *Edgar Allan Poe: Letters, Essays
- *Critics on Poe
- Flannery O'Connor in Context
- *Southern Gothic / The Catholic Dimension /
O'Connor's Irony/ Timeline
- Flannery O'Connor: Stories:
- Good Country People
- A Good Man is Hard to Find
- Everything That Rises Must Converge
- *The Life You Save May Be Your Own
- Flannery O'Connor: Letters, Essays
- Critics on O'Connor
- *Sandra Cisneros in Context
- Culture and Identity / Literature of the American
Southwest / The Feminist Dimension/ Timeline
- *Sandra Cisneros: Stories:
- *Barbie Q
- *Eleven
- *There was a Man, There was a Woman
- *Woman Hollering Creek
- *Sandra Cisneros on Herself
- *Critics on Cisneros
CHAPTER 6: A COLLECTION OF SHORT FICTION- Classics
- *Chinua Achebe, Marriage is a Private Affair
- *James Baldwin, Sonny's Blues
- Jorge Luis Borges, The Garden of Forking Paths
- *Anton Chekhov, The Kiss translated by CONSTANCE
GARNETT
- Ralph Ellison, Battle Royal
- *F. Scott Fitzgerald, Babylon Revisited
- Gabriel Garcia Marquez, A Very Old Man With Enormous
Wings translated by GREGORY RABASSA
- Charlotte Perkins Gilman, The Yellow Wallpaper
- Nathaniel Hawthorne, Young Goodman Brown
- *Ernest Hemingway, Soldier's Home
- *Zora Neale Hurston, Spunk
- James Joyce, The Boarding House
- James Joyce, The Dead
- *Franz Kafka, The Metamorphosis translated by ALEXIS
WALKER
- Katherine Mansfield, Bliss
- Tillie Olsen, I Stand Here Ironing
- Luigi Pirandello, War
- Katherine Anne Porter, The Jilting of Granny
Weatherall
- Isaac Bashevis Singer, Gimpel the Fool translated by
SAUL BELLOW
- Jean Stafford, Bad Characters
- *Eudora Welty, Why I Live at the P.O.
- Contemporaries
- *Sherman Alexie, Indian Education
- *Julia Alvarez, The Kiss
- *Margaret Atwood, Happy Endings
- Toni Cade Bambara, The Lesson
- Raymond Carver, Cathedral
- *Anita Desai, Diamond Dust
- *Nathan Englander, The Tumblers
- *Ursula Hegi, To the Gate
- Mary Hood, How Far She Went
- *Gish Jen, Who's Irish
- Ha Jin, Taking a Husband
- Jamaica Kincaid, Girl
- *James Alan McPherson, Why I Like Country Music
- *Bharati Mukherjee, The Tenant
- *Alice Munro, An Ounce of Cure
- *Edna O'Brien, Long Distance
- Tim O'Brien, The Things They Carried
- *Annie Proulx, The Bunchgrass Edge of the World
- Leslie Silko, Yellow Woman
- Amy Tan, Rules of the Game
- Alice Walker, Everyday Use
- *Louisa Valenzuela, I'm Your Horse in the Night
- *John Edgar Wideman, Damballah
PART TWO: POETRYCHAPTER 7: READING POEMS- The Experience of Poetry
- Robert Hayden, Those Winter Sundays
- *Reading in Context
- The Interpretation of Poetry
- Robert Frost, Stopping by Woods on a Snowy Evening
- *Reading in Context
- The Evaluation of Poetry
- Adrienne Rich, Aunt Jennifer's Tigers
- The Act of Reading Poetry
- Theodore Roethke, My Papa's Waltz
CHAPTER 8: TYPES OF POETRY- Narrative Poetry
- Lyric Poetry
CHAPTER 9: ELEMENTS OF POETRY- Voice: Speaker and Tone
- Stephen Crane, War is Kind
- Robert Browning, My Last Duchess
- Muriel Stuart, In the Orchard
- Gerard Manley Hopkins, "Thou art indeed just, Lord,
if I contend"
- Anonymous, Western Wind
- Henry Reed, Naming of Parts
- Jacques Prevert, Family Portrait
- Diction
- William Wordsworth, I wandered lonely as a cloud
- Edwin Arlington Robinson, Miniver Cheevy
- William Wordsworth, It is a beauteous evening
- Robert Herrick, Delight in Disorder
- Adrienne Rich, Rape
- Imagery
- Elizabeth Bishop, First Death in Nova Scotia
- William Butler Yeats, The Lake Isle of Innisfree
- Robert Browning, Meeting at Night
- H.D., Heat
- Thomas Hardy, Neutral Tones
- Figures of Speech: Simile and Metaphor
- William Shakespeare, That time of year thou may'st
in me behold
- John Donne, Hymn to God the Father
- Robert Wallace, The Double-Play
- Louis Simpson, The Battle
- Judith Wright, Woman to Child
- Symbolism and Allegory
- Peter Meinke, Advice to My Son
- Christina Rossetti, Up-Hill
- William Blake, A Poison Tree
- Robert Frost, The Road Not Taken
- George Herbert, Virtue
- Emily Dickinson, Because I could not stop for Death
- Syntax
- John Donne, The Sun Rising
- Thomas Hardy, The Man He Killed
- William Butler Yeats, An Irish Airman Foresees His
Death
- Robert Frost, The Silken Tent
- e.e. cummings, "Me up at does"
- Stevie Smith, Mother, Among the Dustbins
- Sound: Rhyme, Alliteration, Assonance
- Gerard Manley Hopkins, In the Valley of the Elwy
- Thomas Hardy, During Wind and Rain
- Alexander Pope, Sound and Sense
- Bob McKenty, Adam's Song
- May Swenson, The Universe
- Helen Chasin, The Word Plum
- Rhythm and Meter
- Robert Frost, The Span of Life
- George Gordon, Lord Byron, The Destruction of
Sennacherib
- Anne Sexton, Her Kind
- William Carlos Williams, The Red Wheelbarrow
- Structure: Closed Form and Open Form
- John Keats, On First Looking into Chapman's Homer
- Walt Whitman, When I heard the learn'd astronomer
- e.e. cummings l(a
- e.e. cummings, [Buffalo Bill's]
- William Carlos Williams, The Dance
- Denise Levertov, O Taste and See
- Theodore Roethke, The Waking
- *Christine Kane Molito, Reflections in Black &
Blue
- C.P. Cavafy, The City translated by EDMUND KEELEY
AND PHILIP SHERRARD
- Theme
- Emily Dickinson, Crumbling is not an instant's Act
CHAPTER 10: TRANSFORMATIONS- Revisions
- William Blake, London
- William Butler Yeats, A Dream of Death
- Emily Dickinson, The Wind begun to knead the Grass
- D.H. Lawrence, Piano
- *Langston Hughes, Ballad of Booker T.
- Parodies
- William Carlos Williams, This is Just to Say
- Kenneth Koch, Variations on a Theme by William
Carlos Williams
- Gerard Manley Hopkins, Carrion Comfort
- Gary Layne Hatch, Terrier Torment; or, Mr. Hopkins
and his Dog
- William Shakespeare, Shall I compare thee to a
summer's day?
- Howard Moss, Shall I Compare Thee to a Summer's Day?
- Robert Frost, Dust of Snow
- Bob McKenty, Snow on Frost
- Translations
- *Horace, Eheu fugaces, Postume, Postume translated
by DAVID FERRY AND BY HELEN ROWE HENZ
- *Francesco Petrarca, S'amor non e, che dunque e quel
ch'io siento translated by ROBERT M. DURLING AND BY MARK
MUSA
- Rainer Maria Rilke, Der Panther translated by
STEPHEN MITCHELL AND BY C.F. MCINTYRE
- Guillaume Apollinaire, Le Pont Mirabeau translated
by RICHARD WILBUR AND BY W.S. MERWIN
- Juan Ramon Jimenez, Nocturno Sonado translated by
ELEANOR L. TURNBULL AND BY THOMAS MCGREEVY
- Responses
- Christopher Marlowe: The Passionate Shepherd to His
Love
- Sir Walter Raleigh, The Nymph's Reply to the
Shepherd
- William Shakespeare, Not marble, nor the gilded
monuments
- Archibald MacLeish, Not marble Nor the Gilded
Monuments
- *William Blake, Nurse's Song (Innocence); Nurse's
Song (Experience)
- Matthew Arnold, Dover Beach
- Anthony Hecht, The Dover Bitch: A Criticism of Lfe
- William Carlos Williams, Queen-Ann's-Lace
- Anne C. Coon, Queen Anne's Lace
- *Ovid, Siesta time in sultry summer
- *Jay Parini, Amores (After Ovid)
- Poetry and Song
- Ecclesiastes, To Everything There is a Season
- Pete Seeger, Turn, Turn, Turn!
- Edwin Arlington Robinson, Richard Cory
- Paul Simon, Richard Cory
- Langston Hughes Dream Deferred
- Langston Hughes, Same in Blues
- *Woody Guthrie, This Land Is Your Land
- *Sonya Sanchez, Blues
- Lonnelle Johnson, No Mo' Blues
- *Bessie Smith, Lost Your Head Blues
- *John Newton, Amazing Grace
- Don Maclean, Vincent
- Poetry and Painting
- Vincent Van Gogh, Starry Night
- Anne Secton, The Starry Night
- Robert Fagles, The Starry night
- Francesco de Goya, The Third of May, 1808
- David Gewanter, Goya's The Third of May, 1808
- Pieter Breughel the Elder, Landscape with the Fall
of Icarus
- W.H. Auden, Musee des Beaux Arts
- William Carlos Williams, Landscape with the Fall of
Icarus
- William Blake, The Sick Rose (painting)
- William Blake, The Sick Rose (poem)
- Henri Matisse, The Dance
- Natalie Safir, Matisse's Dance
- *Michelangelo Buonarotti, A goiter it seems I got
from this backward craning translated by John Frederick
Nims
- *Michelangelo Buonarotti, Sistine Chapel Ceiling
(Detail)
- *Rembrandt van Rijn, The Return of the Prodigal Son
- *Elizabeth Bishop, The Prodigal
- Kitagawa Utamaro, Girl Powdering Her Neck
- *Cathy Song, Girl Powdering Her Neck
- *Gustave Klimt, The Kiss
- Lawrence Ferlinghetti, Short Story on a Painting of
Gustav Klimt
- *Romare Bearden, At Five in the Afternoon
- *Federico Garcia Lorca, Lament for Ignacio Sánchez
Mejías (pt. 2)
CHAPTER 11: WRITING ABOUT POETRY- Reasons for Writing about Poetry
- Informal Ways of Writing about Poetry
- Robert Graves, Symptoms of Love
- Formal Ways of Writing about Poetry
- Sylvia Plath, Mirror
- Student Papers on Poetry
- Questions for Writing about Poetry
- Suggestions for Writing
CHAPTER 12: THREE POETS IN CONTEXT- Reading Emily Dickinson, Robert Frost, and Langston
Hughes in Depth
- *Emily Dickinson in Context
- *The 19th-Century New England Literary Scene
- Dickinson and Modern Poetry / Dickinson and
Christianity / Dickinson's Style/ Timeline
- Emily Dickinson, I cannot dance upon my Toes (326)
- Emily Dickinson, The soul selects her own Society
(303)
- Emily Dickinson: Poems
- *67 Success is counted sweetest
- *108 Surgeons must be very careful
- *185 "Faith" is a fine invention
- 199 I'm "wife"--I've finished that
- 214 I taste a liquor never brewed
- 241 I like a look of Agony
- 249 Wild Nights--Wild Nights!
- *252 I can wade Grief
- 258 There's a certain Slant of light
- 280 I felt a Funeral, in my Brain
- 324 Some keep the Sabbath going to Church
- *328 A Bird came down the walk
- 341 After great pain, a formal feeling comes
- 348 I dreaded that first Robin, so
- *365 Dare you see a Soul at the White heat?
- 419 We grow accustomed to the Dark
- 435 Much Madness is divinest Sense
- *448 This was a Poet--It is that
- 449 I died for Beauty--but was scarce
- 465 I head a Fly buzz--when I died
- *480 "Why do I love" You, Sir?
- *501 This World is not Conclusion.
- *508 I'm ceded--I've stopped being Theirs--
- *512 The Soul has Bandaged moments--
- 536 The heart asks Pleasure--first
- *547 I've seen a Dying eye
- *569 I reckon--when I count at all--
- 585 I like to see it lap the Miles
- 599 There is a pain--so utter
- *632 The Brain--is wider than the Sky
- 650 Pain--has an element of Blank
- *657 I dwell in Possibility--
- *668 "Nature" is what we see
- *709 Publication--is the Auction
- 744 Remorse--is Memory--awake
- 754 My Life had stood--a Loaded Gun
- 986 A narrow Fellow in the Grass
- 1068 Further in Summer than the Birds
- 1078 The Bustle in a House
- 1100 The last Night that She lived
- 1129 Tell all the Truth but tell it slant
- *1138 A spider sewed at night
- *1142 The Props assist the House
- 1463 A Route of Evanescence
- 1624 Apparently with no surprise
- *1705 Volcanoes be in Sicily
- 1732 My life closed twice before its close
- Questions for Reflection
- Three Poems with Altered Punctuation
- Poems Inspired by Dickinson
- *Jane Hirshfield, Three Times My Life has Opened
- *Jane Kenyon, Notes from The Other Side
- *Billy Collins, Taking Off Emily Dickinson's Clothes
- *Linda Pastan, Emily Dickinson
- Emily Dickinson: Letters / Critics on Dickinson
- *Robert Frost in Context
- *The Popularity of Frost / Frost and Nature / Frost
and the Sonnet / Frost's Voices/ Timeline
- Robert Frost: Poems
- Mowing
- The Tuft of Flowers
- Mending Wall
- Birches
- *After Apple-Picking
- Home Burial
- *The Oven Bird
- Hyla Brook
- *"Out, Out--"
- Putting in the Seed
- Fire and Ice
- For Once, Then Something
- *The Need of Being Versed in Country Things
- Two Look at Two
- Once by the Pacific
- Acquainted with the Night
- Tree at My Window
- Departmental
- Design
- Desert Places
- Provide, Provide
- The Most of It
- *Never Again Would Birds' Song Be the Same
- Questions for Reflection
- Frost: Letters and Essays / Critics on Frost
- *Langston Hughes in Context
- *The Harlem Renaissance / Hughes and Music / Hughes's
Influences / Hughes's Style
- Langston Hughes: Poems
- *The Negro Speaks of Rivers
- *Mother to Son
- *I, Too
- *My People
- *The Weary Blues
- *Young Gal's Blues
- *Morning After
- Trumpet Player
- *Dream Boogie
- *Ballad of the Landlord
- *Madam and the Rent Man
- *When Sue Wears Red
- *Listen Here Blues
- *Consider me
- *Theme for English B
- *Aunt Sue's Stories
- *Madrid--1937
- *Let America Be America Again
- *I'm Still Here
- *Questions for Reflection
- *Hughes: Essays / Critics on Hughes
CHAPTER 13: A COLLECTION OF POEMS- Classics
- Anonymous, Barbara Allan
- Anonymous, Edward, Edward
- William Blake, The Clod and the Pebble
- William Blake, The Lamb
- William Blake, The Tyger
- William Blake, The Garden of Love
- Anne Bradstreet, To My Dear and Loving Husband
- Elizabeth Barrett Browning, How do I love thee
- Robert Burns, A Red, Red Rose
- *Thomas Campion, There is a Garden in Her Face
- Lewis Carroll, Jabberwocky
- Samuel Taylor Coleridge, Kubla Khan
- John Donne, Song: Go and catch a falling star
- John Donne, The Canonization
- John Donne, A Valediction: Forbidding Mourning
- John Donne, The Flea
- John Donne, Death, be not proud
- John Donne, Batter my heart, three-personed God
- George Gordon, Lord Byron, She walks in beauty
- Thomas Hardy, The Ruined Maid
- Thomas Hardy, Channel Firing
- Thomas Hardy, Afterwards
- George Herbert, The Altar
- *George Herbert, The Pulley
- Robert Herrick, Upon Julia's Clothes
- Robert Herrick, To the Virgins, to make Much of Time
- Gerard Manley Hopkins, God's Grandeur
- Gerard Manley Hopkins, The Windhover
- Gerard Manley Hopkins, Pied Beauty
- Gerard Manley Hopkins, Spring and Fall: To a Young
Child
- A.E. Housman, When I was one-and-twenty
- A.E. Housman, To an Athlete Dying Young
- *Henry Howard, Earl of Surrey, The soote season
- Ben Jonson, On My First Son
- Ben Jonson, Song: To Celia
- John Keats, When I have fears that I may cease to be
- John Keats, La Belle Dame sans merci
- *John Keats, The Eve of St. Agnes
- John Keats, Ode on a Grecian Urn
- John Keats, Ode to a Nightingale
- Andrew Marvell, To His Coy Mistress
- John Milton, When I consider how my light is spent
- John Milton, On the Late Massacre in Piedmont
- *Sir Thomas Nashe, A Litany in Time of Plague
- Edgar Allan Poe, To Helen
- Edgar Allan Poe, The Raven
- Alexander Pope, from An Essay on Man
- William Shakespeare, When in disgrace with fortune
and men's eyes
- William Shakespeare, Let me not to the marriage of
true minds
- William Shakespeare, Th' expense of spirit in a
waste of shame
- William Shakespeare, My mistress' eyes are nothing
like the sun
- Percy Bysshe Shelley, Ozymandias
- *Edmund Spenser, One day I wrote her name upon the
strand
- Alfred, Lord Tennyson, Ulysses
- Alfred, Lord Tennyson, The Eagle: A Fragment
- Walt Whitman, One's-Self I Sing
- Walt Whitman, A noiseless patient spider
- *Walt Whitman, Crossing Brooklyn Ferry
- William Wordsworth, The world is too much with us
- William Wordsworth, The Solitary Reaper
- William Wordsworth, Lines Composed a Few Miles above
Tintern Abbey
- Thomas Wyatt, They flee from me
- Moderns
- W.H. Auden, The Unknown Citizen
- W.H. Auden, In Memory of W.B. Yeats
- *W.H. Auden, Funeral Blues
- Elizabeth Bishop, Sestina
- Elizabeth Bishop, One Art
- *Gwendolyn Brooks, We Real Cool
- Gwendolyn Brooks, First fight. Then fiddle
- *Hart Crane, My Grandmother's Love Letters
- Countee Cullen, Incident
- e.e. cummings, anyone lived in a pretty how town
- e.e. cummings, i thank You god for this most amazing
- Paul Laurence Dunbar, We Wear he Mask
- T.S. Eliot, The Love Song of J. Alfred Prufrock
- Philip Larkin, A Study of Reading Habits
- *D.H. Lawrence, Hummingbird
- D.H. Lawrence, Snake
- *D.H. Lawrence, When I Read Shakespeare
- *Robert Lowell, Epilogue
- Archibald MacLeish, Ars Poetica
- Claude McKay, The Tropics in New York
- Marianne Moore, Poetry
- Wilfred Owen, Dulce et Decorum Est
- Sylvia Plath, Blackberrying
- *Ezra Pound, The Garden
- Ezra Pound, The River-Merchant's Wife: A Letter
- John Crowe Ransom, Piazza Piece
- Theodore Roethke, Elegy for Jane
- Anne Sexton, Two Hands
- William Stafford, Traveling through the Dark
- Wallace Stevens, Thirteen Ways of Looking at a
Blackbird
- *Wallace Stevens, The Snow Man
- May Swenson, Women
- Dylan Thomas, Fern Hill
- Dylan Thomas, Do not go gentle into that good night
- Jean Toomer, Song of the Sun
- Jean Toomer, Reapers
- Richard Wilbur, Death of a Toad
- William Carlos Williams, Spring and All
- William Carlos Williams, Danse Russe
- William Carlos Williams The Young Housewife
- James Wright, Lying in a Hammock at William Duffy's Farm
- James Wright, A Blessing
- William Butler Yeats, The Second Coming
- William Butler Yeats, The Wild Swans at Coole
- William Butler Yeats, Led and the Swan
- William Butler Yeats, Sailing to Byzantium
- *William Butler Yeats, A Coat
- *William Butler Yeats, The Scholars
- *William Butler Yeats, When You are Old
- *William Butler Yeats, Adam's Curse
- Contemporaries
- *Diane Ackerman, Spiders
- *Sherman Alexie, Indian Boy Love Songs 1 and 2
- Margaret Atwood, This is a Photograph of me
- *Margaret Atwood, Spelling
- Jimmy Santiago Baca, from Meditations on the South
Valley XVII
- *Michael Blumenthal, Today I am Envying the Glorious
Mexicans
- *Eavan Boland, Anorexic
- *David Bottoms, Sign for My Father, who Stressed the
Bunt
- *Neal Bowers, Driving Lessons
- Raymond Carver, Photograph of My Father in His
Twenty-Second Year
- *Sandra Cisneros, Pumpkin Eater
- Lucille Clifton, Homage to My Hips
- *Judith Ortiz Cofer, The Game
- *Billy Collins, Duck / Rabbit
- *Jennifer Ritter Compasso, All I Hear is Silence
- *Doretta Cornell, Steady as Any Ship My Father
- Grergory Corso, Marriage
- *Joseph Coulson, After the Move
- *Allen Curnow, The Cake Uncut
- *Mark Doty, Golden Retrievals
- *Rita Dove, Testimonial
- Rita Dove, Canary
- Louise Erdrich, Indian Boarding School: The Runaways
- Lawrence Ferlinghetti, Constantly Risking Absurdity
- *Carolyn Forche, The Memory of Elena
- Nikki Giovanni, Ego Tripping
- *Nikki Giovanni, Nikki Rosa
- *Louise Gluck, The School Children
- *Jori Graham, Mind
- Donald Hall, My son, my executioner
- *Donald Hall, Kicking the Leaves
- *Joy Haarjo, Eagle Poem
- Robert Hass, Meditation at Lagunitas
- Seamus Heaney, Digging
- Seamus Heaney, Mid-Term Break
- *Edward Hirsch, For the Sleepwalkers
- *Jane Hirshfield, The Heart's Country Knows Only One
- *Garrett Hongo, What For
- *Milton Kessler, Fingertip
- Galway Kinnell, Saint Francis and the Sow
- Yusef Komunyakaa, Facing It
- *Li Young Lee, I Ask My Mother Why
- *Brad Leithauser, From R.E.M.
- *Audre Lorde, Hanging Fire
- *J.D. McClatchy, Hummingbird
- Tom Molito, Cosmic Simplicities
- Sharon Olds, Size and Sheer Will
- Mary Oliver, Poem for My Father's Ghost
- *Simon Ortiz, A Story of How a Wall Stands
- *Robert F. Panard, On His Deafness
- Linda Pastan, Ethics
- *Molly Peacock, Now Look What Happened
- Marge Piercy, A Work of Artifice
- *Robert Pinsky, Dying
- *Craig Raine, A Martian Sends a Postcard Home
- Alberto Rios, A Dream of Husbands
- Kraft Rompf, Waiting Table
- *Mary Jo Salter, Welcome to Hiroshima
- *Sonya Sanchez, Towhomitmayconcern
- Gertrude Schnackenberg, Signs
- *Cathy Song, Lost Sister
- Gary Soto, Behind Grandma's House
- *Ellen Bryant Voigt, Two Trees
- *C.K. Williams, Invisble Mending
- *Baron Wormser, Friday Night
- *A Selection of World Poetry
- Anna Akhmatova (Russia), from Requiem translated by
MAX HAYWARD
- Bella Akhmadulina (Russia), The Bride translated by
STEPHAN STEPANCHEV
- Yeuda Amichai (Israel), A Pity. We Were such a Good
Invention TRANSLATED BY ASSIA GUTTMAN
- Chairil Anwar (Indonesia), At the Mosque translated
by BURTON RAFFEL
- Charles Baudelaire (France), The Albatross
translated by RICHARD WILBUR
- Matsuo Basho (Japan) Three Haiku translated by
ROBERT HASS
- Jorge Luis Borges (Argentina), the Blind Man
translated by ALASTAIR REID
- Breyten Breytenback,(South Africa), The Black City
translated by LEON DE KOCK AND SONIA VAN SCHALWYK
- Rosario Castellanos (Mexico), Chess translated by
MAUREEN AHERN
- Paul Celan (Romania) Fugue of Death translated by
DONALD WHITE
- Bei Dao (China), Declaration translated by BONNIE S.
MCDOUGALL
- Bernard Dadie (Ivory Coast) I Give You Thanks My God
- Odysseus Elytis (Greece), Drinking the Corinthian
Sun translated by KIMON FRIAR
- Faiz Ahmed Faiz (Pakistan), Before You Came
translated by AGHA SHAHID ALI
- Johann Wolfgang von Goethe (Germany), Nature and Art
translated by JOHN FREDERICK NIMS
- Zbigniew Herbert (Poland), Pebble translated by
CZESLAW MILOSZ AND PETER DALE SCOTT
- Vicente Huidobro (Cuba), Ars Poetica translated by
DAVID M. GUSS
- Ono No Komachi (Japan), Submit to You translated by
H. SATO AND B. WATSON
- Osip Mandelstam (Russia), The Stalin Epigram
translated by CLARENCE BROWN AND W.S. MERWIN
- Cszeslaw Milosz (Poland), A Song on the End of the
World translated by ANTHONY MILOSZ
- Cszeslaw Milosz (Poland), Encounter translated by
THE AUTHOR AND LILLIAN VALLEE)
- Eurgenio Montale (Italy), The Eel translated by JOHN
FREDERICK NIMS
- Pablo Neruda (Chile), Ode to My Socks translated by
ROBERT BLY
- Jose Emilio Pacheco (Mexico), Boundaries translated
by JOHN FREDERICK NIMS
- Nicanor Parra (Chile), Piano Solo translated by
WILLIAM CARLOS WILLIAMS
- Boris Pasternak (Russia), Hamlet translated by JON
STALLWORTHY AND PETER FRANCE
- Octavio Paz (Mexico), The Street translated by
MURIEL RUKEYSER
- A. K. Ramanujan (India), Pleasure
- Rainer Maria Rilke (Germany) The Cadet Picture of My
Father TRANSLATED BY ROBERT LOWELL
- George Seferis (Greece), Narration translated by
EDMUND KEELEY AND PHILIP SHERRARD
- Leopold Senghor (Senegal), I Am Alone translated by
MELVIN DIXON
- Wole Soyinka (Nigeria), Hamlet
- Wislawa Szymborska (Poland), Bodybuilders' Contest
translated by STANLEY BARANCZAK AND CLARE CAVANAGH
- Shuntaro Tanikawa (Japan), Picnic to the Earth
translated by HAROLD WRIGHT
- Derek Walcott (Caribbean) Sea Grapes
PART THREE: DRAMACHAPTER 14: READING PLAYS- The Experience of Drama
- Isabella Augusta Persse, Lady Gregory, The Rising of
the Moon
- The Interpretation of Drama
- The Evaluation of Drama
CHAPTER 15: TYPES OF DRAMA- Tragedy
- Comedy
CHAPTER 16: ELEMENTS OF DRAMA- Plot
- Character
- Dialogue
- *Subtext
- Staging
- *Symbolism and Irony
- Theme
CHAPTER 17: WRITING ABOUT DRAMA - Reasons for Writing about Drama
- Informal Ways of Writing about Drama
- Annotation
- Double-columned Notebook
- Formal Ways of Writing about Drama
- Student Papers on Drama
- Questions for Writing about Drama
- Suggestions for Writing
CHAPTER 18: THE GREEK THEATER: Sophocles in Context - *Athens in the Golden Age / Greek Tragedy / Sophocles
and His Works / Timeline
- Sophocles: Plays
- Oedipus Rex translated by DUDLEY FITTS AND ROBERT
FITZGERALD
- Antigone translated by DUDLEY FITTS AND ROBERT
FITZGERALD
- Critics on Sophocles
CHAPTER 19: THE ELIZABETHAN THEATER: Shakespeare in
Context- *London in the Age of Elizabeth / *The Arts in the
Age of Elizabeth / Stagecraft in the Elizabethan Age /
Shakespeare and His Works / Timeline
- Shakespeare: Plays
- The Tragedy of Othello
- Hamlet, Prince of Denmark
- Critics on Shakespeare
CHAPTER 20: THE MODERN REALISTIC THEATER: Ibsen and
Shaw in Context - Realism
- *A Note on the Theatre of the Absurd / Timeline
- *Ibsen in Context: Ibsen, Exile, and Change
- Henrik Ibsen, A Doll House translated by ROLF FJELDE
- *Shaw in Context
- *Bernard Shaw, Arms and the Man
CHAPTER 21: A COLLECTION OF MODERN DRAMA - *Anton Chekhov, A Marriage Proposal translated by
ERIC BENTLEY
- Susan Glaspell, Trifles
- Lorraine Hansberry, A Raisin in the Sun
- *Eugene Ionesco, The Gap
- Arthur Miller, Death of a Salesman
- John Millington Synge, Riders to the Sea
- *Tennessee Williams, The Glass Menagerie
CHAPTER 22: A COLLECTION OF CONTEMPORARY PLAYS - *David Henry Hwang, M. Butterfly
- *Garrison Keillor, Prodigal Son
- Josefina Lopez, Simply Maria
- Terrence McNally, Andre's Mother
- *Milcha Sanchez-Scott, The Cuban Swimmer
- *Drew Hayden Taylor, Only Drunks and Children Tell
the Truth
- Wendy Wasserstein, Tender Offer
- August Wilson, Fences
PART FOUR: RESEARCH AND CRITICAL PERSPECTIVESCHAPTER 23: WRITING WITH SOURCES - Why Do Research about Literature?
- Clarifying the Assignment
- Selecting a Topic
- Finding and Using Sources
- Using Computerized Databases
- Using the Internet for Research
- Developing a Critical Perspective
- Developing a Thesis
- Drafting and Revising
- Responding to the Ideas of Others: Using One source as
a Stimulus for Ideas
- Conventions
- Documenting sources
- A Research Paper on a Single Work using Multiple
Sources
- A Research Paper Using Multiple Works and Multiple
Sources
CHAPTER 25: CRITICAL COMMENTS ABOUT LITERATURE - Plato, Poetry and Inspiration TRANSLATED BY BENJAMIN
JOWETT
- Aristotle, On Tragedy TRANSLATED BY GERALD F. ELSE
- Sir Philip Sidney, An Apology for Poetry
- Samuel Johnson, The Metaphysical Poets
- William Blake, Art and Imagination
- William Wordsworth, Poetry and Feeling
- John Keats, The Authenticity of the Imagination
- Percy Bysshe Shelley, Poets and Language
- Anton Chekhov, Technique in Writing the Short Story
TRANSLATED BY CONSTANCE GARNETT
- Henrik Ibsen, Notes for the Modern Tragedy
TRANSLATED BY A.B. CHATER
- Gerard Manley Hopkins, Sprung Rhythm
- August Strindberg, The Scene TRANSLATED BY BORGE
GEDSO MADSEN
- Bernard Shaw, The Interpreter of Life
- Wallace Stevens, Observations on Poetry
- T.S. Eliot, The Poet and the Tradition
- Bertolt Brecht, Brecht on Theater TRANSLATED BY JOHN
WILLETT
- George Seferis, Poetry and Human Living TRANSLATED
BY A. GAGNOSTOPOULOS
- Frank O'Connor, Lyric Poetry and the Short Story
- Pablo Neruda, "The Word" TRANSLATED BY HARDI ST.
MARTIN
- Eudora Welty, The Origin of a Story
- Ralph Ellison, Folklore and Fiction
- Octavio Paz, The Power of Poetry TRANSLATED BY HELEN
LANE
- Arthur Miller, Tragedy and the Common Man
- *Tennessee Williams, Production Notes to The Glass
Menagerie
- *Tennessee Williams, The Catastrophe of Success
- Eric Bentley, On Drama as Literature and
Entertainment
- Wendell Berry, Poetry and Song
- Audre Lorde, Poems Are Not Luxuries
- Mark Strand, Poetry, Language, and Meaning
- Margaret Atwood, Our First Stories
- Seamus Heaney, Feelings into Words
- *Robert Pinsky, The Sounds of Poetry
- John Edgar Wideman, Stories Are Letters (To Robby)
- Diane Ackerman, What a Poem Knows
- Tim O'Brien, On the Importance of Mystery in Plot
- Alice Fulton, On the Validity of Free Verse
- Hwang, Production notes to accompany M. Butterfly
|
|
|