 |
| 1.
| |
A headline that sits beside a story is called |
| | A) | flush-left. |
| | B) | sidesaddle. |
| | C) | adjacent. |
| | D) | sidesplitter. |
|
|
|
| 2.
| |
What is a mug shot? |
| | A) | Any smiling photo subject |
| | B) | A small photo of a person's face |
| | C) | Any small photo |
| | D) | Any photo of a group of people |
|
|
|
| 3.
| |
Mug shots are usually how many columns wide? |
| | A) | 1 |
| | B) | 2 |
| | C) | 3 |
| | D) | 4 |
|
|
|
| 4.
| |
Position mug shots |
| | A) | on the right of the text. |
| | B) | on the left of the text. |
| | C) | above the text. |
| | D) | All of the above. |
|
|
|
| 5.
| |
For vertical story designs, the correct order for text elements is: |
| | A) | Headline, Photo, Cutline, text |
| | B) | Photo, Cutline, Headline, Text |
| | C) | Headline, Text, Photo, Cutline |
| | D) | Photo, Headline, Cutline, Text |
|
|
|
| 6.
| |
You should always shape stories into |
| | A) | rectangles. |
| | B) | squares. |
| | C) | U-shapes. |
| | D) | All of the above. |
|
|
|
| 7.
| |
The action of a news photo moves from left to right. Where should the accompanying story be placed? |
| | A) | Top |
| | B) | Bottom |
| | C) | Right |
| | D) | Left |
|
|
|
| 8.
| |
Besides being part of the human anatomy, an armpit is |
| | A) | a sig used in the shoulder of a story layout. |
| | B) | a columnist sig that shows both the head and shoulders of the columnist. |
| | C) | a horizontal story design in which the headline runs across both text and photo. |
|
|
|
| 9.
| |
Avoid running photos below text because |
| | A) | readers may think the photo is unattractive. |
| | B) | readers may think the photo belongs to another story. |
| | C) | the symmetry will be broken. |
| | D) | it will interfere with the length of the text legs. |
|
|
|
| 10.
| |
Questions to ask yourself about two photos you think may be equally dominant include: |
| | A) | Do we really need two photos? |
| | B) | Does one have stronger content? |
| | C) | Does one have a better shape? |
| | D) | All of the above and more. |
|
|
.