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1 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) Compare the International Style with the monumental Renaissance style, using examples from the chapter. |
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2 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) Compare and contrast Donatello’s David with Verrocchio’s David. Discuss style and iconography. |
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3 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) Discuss the Renaissance concept of fame and its appearance in works illustrated in the chapter. |
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4 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) Compare and contrast the techniques and esthetic effects of fresco and oil painting. |
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5 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) Describe the differences between the Dominican and the Franciscan approaches to church decoration. What is the basis of the differences? |
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6 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) Compare Campin’s Mérode Altarpiece with Gentile da Fabriano’s Procession and Adoration of the Magi. Consider style, patronage, and function. |
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