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1 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) Compare and contrast Giacomettis Large Standing Woman III with Moores Reclining Figure in front of the UNESCO building in Paris. |
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2 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) Compare and contrast Stieglitzs Equivalent with OKeeffes Black and White. |
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3 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) Compare and contrast Arps The Dancer with Mirós Spanish Dancer. |
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4 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) Compare and contrast the dream elements of Rousseaus The Dream (from Chapter 25) with Dalís The Persistence of Memory. |
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5 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) Compare the similarities in and differences between the Dada and Surrealist qualities of Duchamp and Man Ray. |
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6 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) Compare Moores Reclining Figure with Manets Olympia (from Chapter 23) and Titians Venus of Urbino (from Chapter 16). Consider the period, the style, the iconography, and the context. |
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