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| Balio, Tino. Grand Design: Hollywood as a Modern Business Enterprise, 1930–1939. New York: Scribners, 1993. Higgins, Scott. Harnessing the Technicolor Rainbow: Color Design in the 1930s. Austin: University of Texas Press, 2007. Hoberman, J. Bridge of Light: Yiddish Films between Two Worlds. New York: Museum of Modern Art/Schocken, 1991. Jacobs, Lea. The Wages of Sin: Censorship and the Fallen Woman Film, 1929–1942. Madison: University of Wisconsin Press, 1991. Jenkins, Henry. What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic. New York: Columbia University Press, 1992. Maltby, Richard. "'Baby Face' or How Joe Breen Made Barbara Stanwyck Atone for Causing the Wall Street Crash." Screen 27, no. 2 (March/April 1986): 22–45. Schatz, Thomas. Boom and Bust: American Cinema in the 1940s. Berkeley: University of California Press, 1997. Schrader, Paul. "Notes on Film Noir." In Kevin Jackson, ed., Schrader on Schrader and Other Writings. London: Faber, 1990, pp. 80–94. Sikov, Ed. Screwball: Hollywood's Madcap Romantic Comedies. New York: Crown, 1989. Sturges, Sandy, ed. Preston Sturges by Preston Sturges: His Life in His Hands. New York: Simon and Schuster, 1990. Vasey, Ruth. The World According to Hollywood, 1918–1939. Madison: University of Wisconsin Press, 1997. |