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| Brecht, Bertolt. Brecht on Film and Radio. Trans. and ed. Marc Silberman. London: Methuen, 2000. Campbell, Russell. Cinema Strikes Back: Radical Filmmaking in the United States 1930–1942. Ann Arbor, UMI Research Press, 1982. Crunow, Wystan, and Roger Horerocks, eds. Figures of Motion: Len Lye's Selected Writings. Auckland: Auckland University Press, 1984. Evans, Gary. John Grierson and the National Film Board: The Politics of Wartime Propaganda. Toronto: University of Toronto Press, 1984. Hodgkinson, Anthony W., and Rodney E. Sheratsky. Humphrey Jennings: More Than a Maker of Films. Hanover, NH: University Press of New England, 1982. Hogencamp, Bert. Deadly Parallels: Film and the Leftin Britain 1929–39. London: Lawrence and Wishart, 1986. Horrocks, Roger. Len Lye: A Biography. Auckland: Auckland University Press, 2001. Kowalsky, Daniel. "The Soviet Cinematic Offensive in the Spanish Civil War." Film History 19, no. 1 (2007): 7-19. Kuhn, Annette. "Desert Victory and the People's War" Screen 22, no. 2 (1981): 45–68. Macpherson, Don, ed. Traditions of Independence: British Cinema in the Thirties. London: British Film Institute, 1980. Moritz, William. "The Films of Oskar Fischinger." Film Culture 58/59/60 (1974): 37–188. --------. Optical Poetry: The Life and Work of Oskar Fischinger. Bloomington: Indiana University Press, 2004. Nichols, Bill, ed. Maya Deren and the American Avant-Garde. Berkeley: University of California Press, 2001. Sitney, P. Adams. "The Cinematic Gaze of Joseph Cornell." In Kynastan McShine, ed., Joseph Cornell. New York: Museum of Modern Art, 1980. Swann, Paul. The British Documentary Film Movement, 1926–1946. Cambridge, England: Cambridge University Press, 1989. |