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| Bach, Steven. Final Cut: Dreams and Disasters in the Making of Heaven's Gate. New York: New American Library, 1986. Biskind, Peter. Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock'n'Roll Generation Saved Hollywood. New York: Simon and Schuster, 1998. Gomery, Douglas. "The American Film Industry of the 1970s: Stasis in the 'New Hollywood.'" Wide Angle 5, no. 4 (1983): 52–59. Harris, Mark. Pictures at a Revolution: Five Movies and the Birth of the New Hollywood. New York: Penguin, 2008. Hoberman, J., and Jonathan Rosenbaum. Midnight Movies. New York: Harper and Row, 1983. Jenkins, Gary. Empire Building: The Remarkable Real Life Story of Star Wars. 2nd ed. New York: Citadel, 1999. Kline, Sally. George Lucas Interviews. Jackson: University Press of Kentucky, 1999. Lax, Eric. Woody Allen: A Biography. New York: Knopf, 1991. Lebo, Harlan. The Godfather Legacy. New York: Simon and Schuster, 1997. Levin, Lear. "Robert Altman's Innovative Sound Techniques." American Cinematographer 61, no. 4 (April 1980): 336–39, 368, 384. Lewis, Jon. Hollywood v. Hard Core: How the Struggle over Censorship Saved the Modern Film Industry. New York: New York University Press, 2000. ———. Whom God Wishes to Destroy . . . : Francis Coppola and the New Hollywood. Durham, NC: Duke University Press, 1995. McBride, Joseph. Steven Spielberg: A Biography. New York: Simon and Schuster, 1997. Patterson, Richard. "The Preservation of Color Films." American Cinematographer 62, no. 7 (July 1981): 694–97, 714–29; 62, no. 8 (August 1981): 792–99, 816–22. Paul, William. "The K-Mart Audience at the Mall Movies." Film History 6, no. 4 (winter 1994): 487–501. Pirie, David. Anatomy of the Movies. New York: Macmillan, 1981. Prince, Stephen. Savage Cinema: Sam Peckinpah and the Rise of Ultraviolent Movies. Austin: University of Texas Press, 1998. Pye, Michael, and Lynda Myles. The Movie Brats: How the Film Generation Took Over Hollywood. New York: Holt, Rinehart and Winston, 1979. Schatz, Thomas. "The New Hollywood." In Jim Collins, Hilary Radner, and Ava Preacher Collins, eds. Film Theory Goes to the Movies. New York: Routledge, 1994, pp. 8–36. Stuart, Jan. The Nashville Chronicles: The Making of Robert Altman's Masterpiece. New York: Simon and Schuster, 2000. |