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| Baddeley, Oriana, and Valerie Fraser. Drawing the Line: Art and Cultural Identity in Contemporary Latin America. New York: Verso, 1989. Browne, Nick, ed. Cahiers du cinema 1969–1972: The Politics of Representation. Cambridge, MA: Harvard University Press, 1990. Burton, Julianne, ed. Cinema and Social Change in Latin America: Conversations with Filmmakers. Austin: University of Texas Press, 1986. Cockburn, Alexander, and Robin Blackburn, eds. Student Power: Problems, Diagnosis, Action. Baltimore: Penguin, 1969. Downing, John H., ed. Film and Politics in the Third World. New York: Autonomedia, 1987. "The Estates General of the French Cinema." Screen 13, no. 4 (winter 1972/1973): 58–88. Fassbinder, Rainer Werner. The Anarchy of the Imagination: Interviews, Essays, Notes. Ed. Michael Töteberg and Leo A. Lensing, trans. Krishna Winston. Baltimore: Johns Hopkins University Press, 1992. Fusco, Coco, ed. Reviewing Histories: Selections from New Latin American Cinema. Buffalo: Hallwalls Contemporary Art Center, 1987. Harvey, Sylvia. May '68 and Film Culture. London: British Film Institute, 1978. Kay, Karyn, and Gerald Peary, eds. Women and the Cinema: A Critical Anthology. New York: Dutton, 1977. Lesage, Julia. "Feminist Film Criticism: Theory and Practice." Women and Film 1, nos. 5–6 (1974): 12–18. "New German Cinema." New German Critique 24–25 (fall/winter 1981/1982). Olson, Ray. "Gay Film Work (1972–1977)." Jump Cut 20 (May 1979): 9–12. Phillips, Klaus, ed. New German Filmmakers: From Oberhausen through the 1970s. New York: Ungar, 1984. Randall, Vicky. Women and Politics: An International Perspective. 2nd ed. Chicago: University of Chicago Press, 1987. Rayns, Tony. Fassbinder. Rev. ed. London: British Film Institute, 1980. Sandford, John. The New German Cinema. London: Eyre Methuen, 1980. Vieyra, Paulin Soumanou. Le Cinéma africain des origines à 1973. Paris: Présence Africaine, 1975. Walsh, Martin. The Brechtian Aspect of Radical Cinema. Ed. Keith M. Griffiths. London: British Film Institute, 1981. "West German Film in the 1970s." Quarterly Review of Film Studies 5, no. 2 (spring 1980). |