(See related pages)
|
|
|
| Austin, Guy. Contemporary French Cinema: An Introduction. Manchester: Manchester University Press, 1996. Corrigan, Timothy. New German Film: The Displaced Image. Austin: University of Texas Press, 1983. ——————. The Films of Werner Herzog: Between Mirage and History. New York: Methuen, 1986. Dale, Martin. The Movie Game: The Film Business in Britain, Europe and America. London: Cassell, 1997. Dibie, Jean Noël. Les mecanismes de financement du cinéma et de l'audiovisual en Europe. Paris: Dixit, 1992. Elsaesser, Thomas. Fassbinder's Germany: History, Identity, Subject. Amsterdam: Amsterdam University Press, 1996. Everett, Wendy. Terence Davies. Manchester: Manchester University Press, 2004. Finney, Angus. The State of European Cinema: A New Dose of Reality. London: Cassell, 1996. Forbes, Gill. The Cinema in France after the New Wave. London: Macmillan, 1992. Goulding, Daniel J. Post New Wave Cinema in the Soviet Union and Eastern Europe. Bloomington: Indiana University Press, 1989. Haltof, Marek. The Cinema of Krzysztof Kieslowski. London: Wallflower, 2004. Hjort, Mette. Small Nation, Global Cinema: The New Danish Cinema. Minneapolis: University of Minnesota Press, 2005. Hjort, Mette, and Ib Bondebjerg. The Danish Directors: Dialogues on a Contemporary National Cinema. Bristol, England: Intellect, 2001. Horton, Andrew, ed. The Last Modernist: The Films of Theo Angelopoulos. Westport, CT: Praeger, 1997. Horton, Andrew, and Michael Brashinsky. The Zero Hour: Glasnost and Soviet Cinema in Transition. Princeton, NJ: Princeton University Press, 1992. Jäckel, Anne. European Film Industries. London: British Film Institute, 2008. Kolker, Robert Phillip, and Peter Beicker. The Films of Wim Wenders: Cinema as Vision and Desire. Cambridge: Cambridge University Press, 1993. Magny, Joël. Maurice Pialat. Paris: Cahiers du Cinéma, 1992. McGee, Laura G. "Revolution in the Studio? The DEFA's Fourth Generation of Film Directors and Their Reform Efforts in the Last Decade of the GDR." Film History 15 (2003): 444-464. Menashe, Louis. "Moscow Believes in Tears: The Problems (and Promise?) of Russian Cinema in the Transition Period." Cineaste 26, no. 3 (Summer 2001): 10–17. Parsi, Jacques, ed. Manoel de Oliveira. Paris: Centre Pompidou, 2001. Portuges, Catherine. Screen Memories: The Hungarian Cinema of Márta Mészáros. Bloomington: Indiana University Press, 1993. Prédal, René. Le Cinéma français contemporain. Paris: Cerf, 1984. Silberman, Marc. "Women Filmmakers in West Germany: A Catalogue." Camera Obscura no. 6 (fall 1980): 123–51; no. 11 (Fall 1983): 133–45. Smith, Paul Julian. Desire Unlimited: The Cinema of Pedro Almodóvar. London: British Film Institute, 2000. Walker, Alexander. Icons in the Fire: The Rise and Fall of Practically Everyone in the British Film Industry 1984-2000. London: Orion, 2004. Wood, Mary. Contemporary European Cinema. London: Hodder Arnold, 2007. |