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| Kepley, Vance. "'Cinefication': Soviet Film Exhibition in the 1920s." Film History 6, no. 2 (summer 1994): 262–77. ———. "Federal Cinema: The Soviet Film Industry, 1924–32." Film History 8, no. 3 (1996): 344–56. ______. In the Service of the State: The Cinema of Alexander Dovzhenko. Madison: University of Wisconsin Press, 1986. ________. The End of St. Petersburg. London: I.B. Tauris, 2003. Michelson, Annette, ed. Kino-Eye: The Writings of Dziga Vertov. Berkeley: University of California Press, 1984. Nebesio, Bhodan Y., ed., "The Cinema of Alexander Dovzhenko," special issue of Journal of Ukrainian Studies 19, no. 1 (summer 1994). Petric, Vlada. Constructivism in Film—A Cinematic Analysis: The Man with a Movie Camera. Cambridge: Cambridge University Press, 1993. Roberts, Graham. The Man with the Movie Camera. London: I.B. Tauris, 2000. Sargeant, Amy. Vsevolod Pudovkin: Classic Films of the Soviet Avant-Garde. London: I.B. Tauris, 2000. Taylor, Richard, and Ian Christie, eds. Inside the Film Factory: New Approaches to Russian and Soviet Cinema. London: Routledge, 1991. Tsivian, Yuri. "Between the Old and the New: Soviet Film Culture in 1918–1924." Griffithiana 55/56 (September 1996): 15–63. ________, ed. Lines of Resistance: Dziga Vertov and the Twenties. Gemona: La Giornate del Cinema Muto, 2004. Youngblood, Denise J. Movies for the Masses: Popular Cinema and Soviet Society in the 1920s. Cambridge, England: Cambridge University Press, 1992. |