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| Abel, Richard, and Rick Altman, eds. The Sounds of Early Cinema. Bloomington: Indiana University Press, 2001. Andrew, Dudley. "Sound in Focus: The Origins of a Native School." In Mary Lea Bandy, ed., Rediscovering French Film. New York: Museum of Modern Art, 1983, pp. 57–65. Belaygue, Christien, ed. Le passage du muet au parlant. Toulouse: Cinémathèque de Toulouse, 1988. Bradley, Edwin M. The First Hollywood Sound Shorts, 1926-1931. Jefferson, NC: McFarland & Company, 2005. Crafton, Donald. The Talkies: American Cinema's Transition to Sound 1926–1931. New York: Scribner's, 1997. Gitt, Robert. "Bringing Vitaphone Back to Life." Film History 5, no. 3 (September 1993): 262–74. Gomery, Douglas. The Coming of Sound. New York: Routledge, 2005. Hutchinson, Ron. "The Vitaphone Project. Answering Harry Warner's Question: 'Who the Hell Wants to Hear Actors Talk?'" Film History 14, no. 1 (2002): 40-46. Jossé, Harald. Die Entstehung des Tonfilms. Munich: Freiburg, 1984. Lastra, James. Sound Technology and the American Cinema. New York: Columbia University Press, 2000. Murphy, Robert. "Coming of Sound to the Cinema in Britain." Historical Journal of Film, Radio and Television 4, no. 2 (1984): 143–60. O'Brien, Charles. Cinema's Conversion to Sound: Technology and Film Style in France and the U.S. Bloomington: Indiana University Press, 2005. Thompson, Kristin. "Early Sound Counterpoint." Yale French Studies 60 (1980): 115–40. |