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| 1 | |
Listen to disk 2, track 12, "Jaya Semara" (Balinese gamelan). Gamelan is best described as |
| | A) | a large group of percussion instruments played randomly by a group of musicians |
| | B) | an orchestra traditionally consisting of men and women |
| | C) | an Indonesian orchestra consisting mainly of percussion instruments played by a large group of musicians in an intricately coordinated way |
| | D) | an orchestra that performs and is maintained independent of Balinese society |
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| 2 | |
This piece is clearly an example of |
| | A) | musical syncretism |
| | B) | Santeria |
| | C) | the use of metallophones |
| | D) | a ritual |
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| 3 | |
The types of social institutions usually responsible for preserving and developing music of this type are |
| | A) | called sekehe gong |
| | B) | virtual music communities |
| | C) | family-based ensembles |
| | D) | church groups |
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| 4 | |
This music tradition is similar to that of the Javanese example (disk 1, track 7) in terms of |
| | A) | the fast, energetic style |
| | B) | its instrumentation, history and musical principles |
| | C) | its dance-party context |
| | D) | nothing at all; they are completely unrelated |
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| 5 | |
The singing in disk 1, track 8, "Rabbit Dance (opening)" is an example of |
| | A) | Native American rock style |
| | B) | Native American jazz style |
| | C) | singing vocables |
| | D) | singing in a foreign language |
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| 6 | |
This song (disk 1, track 10, "Dance" by Eagle and Hawk) is an example of |
| | A) | singing vocables |
| | B) | "crow hop" rhythm |
| | C) | a powwow song transformed into modern rock |
| | D) | all of the above |
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| 7 | |
While this music is recognized as Irish, this artist calls ____________ home (disk 3, track 11, E. Ivers) |
| | A) | Germany |
| | B) | Japan |
| | C) | The United States |
| | D) | South Africa |
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| 8 | |
_________, a master of musical syncretism, is featured on disk 4, track 7, "Oye Como Va." |
| | A) | Tito Puente |
| | B) | Charlie Patton |
| | C) | Eileen Ivers |
| | D) | Sting |
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