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Listening Quiz
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1
"Jaya Semara" (Disk 2, track 12) is an example of
A)gamelan jegog
B)gamelan beleganjur
C)gamelan gong kebyar
D)gamelan suara
2
"Jaya Semara" (Disk 2, track 12) differs from Javanese gamelan because of its
A)cyclic musical form
B)types of instruments (bronze gongs and metallophones).
C)shimmering timbre and rapid-fire melody
D)multipart textures in which higher pitched instruments play at faster rhythmic rates than the lower-pitched instruments
3
A term used in Bali to describe interlocking patterns such as the ones heard in "Kecak" (disk 2, track 13) is
A)kecak
B)kebyar
C)kreasi
D)kilitan telu
4
"Kecak" (disk 2, track 13) is
A)a theatrical enactment of the Balinese origin myth
B)taken from a funeral procession
C)an excerpt of people singing sacred verses (kidung)
D)a theatrical enactment of an episode from the Ramayana
5
The music heard in "Beleganjur" (disk 2, track 11)
A)is rooted in battles of good versus evil
B)features a gong cycle
C)features kilitan telu
D)all of the above
6
The performance on disk 2, track 14, Beleganjur in cremation procession, features
A)innovative composition and virtuosity
B)music designed to frighten away evil spirits
C)choreographed gerak movements
D)all of the above
7
The function of "Wira Ghorava Cakti '95" (disk 2, track 16) is to
A)impress judges
B)show compositional originality
C)embolden the spirit of the deceased
D)A and B only
8
The basic kilitan telu pattern heard in much Balinese music (and musically illustrated in the chapter's Musical Guided Tour) is
A)x – x x – x x –
B)x x x – x x x –
C)x – x – x – x –
D)x x – x x – x x





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