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1 |  |  "Ishq" (disk 2, track 20) is an example of a |
|  | A) | Hindu devotional song |
|  | B) | Sufi song |
|  | C) | Hindustani classical improvisation |
|  | D) | none of the above |
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2 |  |  In the spoken introduction of "Raga Sindhi-Bhairavi" (disk 2, track 23), Ravi Shankar plays a scale that |
|  | A) | sounds exactly the same ascending as descending |
|  | B) | sounds different in the descending than in the ascending |
|  | C) | derives from Indian notes "Sa Re Ga Ma Pa Da Ni" |
|  | D) | B and C only |
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3 |  |  After Ravi Shankar's spoken introduction of "Raga Sindhi-Bhairavi" (disk 2, track 23), the piece begins with |
|  | A) | an improvised, non-metric alap |
|  | B) | the main composition section called gat |
|  | C) | a rhythmic cycle of 16-beats |
|  | D) | all of the above |
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4 |  |  The part of "Raga Sindhi-Bhairavi" (disk 2, track 23) in which the drums enter (at 5:52) marks the beginning of the ____________ section |
|  | A) | alap |
|  | B) | jor |
|  | C) | gat |
|  | D) | jhala |
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5 |  |  The song "Barso Re" (disk 3, track 3) is |
|  | A) | sung by the actress in a Bollywood film |
|  | B) | sung by a singer who does not appear in the film |
|  | C) | based on raga improvisation |
|  | D) | none of the above |
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6 |  |  Which of the following recordings do NOT combine elements of Indian music with jazz or pop music? |
|  | A) | "Raga Sindhi-Bhairavi" (disk 2, track 23) |
|  | B) | "India" (disk 3, track 1) |
|  | C) | "Joy" (disk 3, track 2) |
|  | D) | "Barso Re" (disk 3, track 3) |
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