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1 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) To design or arrange the elements in a work of art is to . |
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2 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) The more different, contrasting, or numerous the elements or components in a work, the more it has. |
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3 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) The integration of all the elements or aspects of a work into a single, indivisible whole refers to the compositional principle of . |
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4 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) The sense of equilibrium between different or opposing forces in a work refers to the compositional principle of . |
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5 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) Also called focus or dominance, refers to the principle of visual organization in which certain elements or parts assume more importance than others in the same composition. |
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6 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) refers to the ordered repetition of line, shape, space, or texture on a visual surface. |
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7 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) The relation of art elements or subjects to each other in terms of their size, quantity, or degree of emphasis is called . |
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8 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) refers to proportional size relationships relative to standard or normal size. |
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9 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) Form and are inseparable. |
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10 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) When we say, "That's a van Gogh," we are referring to the artist's style. |
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