![](/olcweb/styles/shared/spacer.gif) | Chapter 15 Learning Objectives (See related pages)
1. Baroque art in northern Europe, especially in Protestant lands, is different from Catholic baroque art, especially that of Italy. |
![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) | 2. The royal art academies that arose in France, England, and other countries became major art educational institutions. |
![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) | 3. The seventeenth-century art of Protestant Holland was shaped by its capitalistic and democratic sociocultural context. |
![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) | 4. French rococo art extends and transforms baroque art in keeping with the lessening power of centralized monarchy. |
![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) | 5. America and France embraced the rising neoclassical style as the official artistic style of their revolutions. |
![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) | 6. The "minor arts" of everyday function are often overshadowed by the fine arts but deserve our attention. |
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