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1 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) Repetition and a cool, detached style are central to the art of this "new realist." Name him. . |
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2 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) A wide variety of popular and art world subject matter portrayed in a graphic, cartoon-like way characterizes the witty art of . |
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3 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) Playing with the scale and juxtaposing the materials and textures of commonplace objects in humor-filled ways characterizes the art of . |
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4 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) Molded from actual people, figures made of white or painted plaster placed in real-life situations such as that of The Diner, characterize the art of . |
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5 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) Nude figures in uneasy international jet set situations where cultures clash—A Brief History of North Africa is one example—characterize the neoexpressionist art of . |
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6 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) Third-world torturers and mercenaries "painted with a brutal brush" describes the neoexpressionist art of . |
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7 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) Feminism, autobiography, and leftist politics join together in Forming the Fifth International, a 1985 painting by . |
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8 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) Bed from 1955 and Retroactive I from 1964 are by this prolific, wide-ranging artist. Name him. . |
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9 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) Three Flags and Target with Four Faces are the creations of this influential artist. . |
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10 | ![](/olcweb/styles/shared/spacer.gif) | ![](/olcweb/styles/shared/spacer.gif) The narrative, message-oriented painting, Fight Against the Mosquitoes, with its roots in Third World popular culture, is by . |
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