Read each question carefully and then select the best answer.
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1 |  |  Feature stories usually focus on events that are timely and public. |
|  | A) | True |
|  | B) | False |
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2 |  |  Human-interest stories should set the scene, describe the characters and capture the mood. |
|  | A) | True |
|  | B) | False |
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3 |  |  Reporters should avoid feature story ideas already used by their competitors. |
|  | A) | True |
|  | B) | False |
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4 |  |  You think you have a good idea for a feature story. You should complete the story before talking to your editor. |
|  | A) | True |
|  | B) | False |
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5 |  |  Feature stories require the same degree of accuracy, fairness and attention to detail as news stories. |
|  | A) | True |
|  | B) | False |
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6 |  |  Your editors will likely object if you use slang, contractions or sentence fragments in a feature story, just as they would for a news story. |
|  | A) | True |
|  | B) | False |
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7 |  |  News stories are written in the past tense, but feature stories are often written in the present tense. |
|  | A) | True |
|  | B) | False |
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8 |  |  Using a playful tone on a serious issue is acceptable in a feature story. |
|  | A) | True |
|  | B) | False |
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9 |  |  Researching a complicated issue too much can lead to a confusing story with too many details. |
|  | A) | True |
|  | B) | False |
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10 |  |  Using details to set the scene and describe people's actions and appearances can be effective in bringing your readers into the action. |
|  | A) | True |
|  | B) | False |
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11 |  |  An outline is useful when writing a news story, but trusting your stream of thought is a more efficient way to write a feature story. |
|  | A) | True |
|  | B) | False |
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12 |  |  The body of your story should progress in a logical way, so it is not necessary to provide a beginning and ending to your feature. |
|  | A) | True |
|  | B) | False |
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13 |  |  Features often use the inverted pyramid structure. |
|  | A) | True |
|  | B) | False |
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14 |  |  Lists, quizzes, diagrams, timelines and quote collections are all good short-form story structures. |
|  | A) | True |
|  | B) | False |
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15 |  |  When writing profiles, it is best NOT to contact your subject until you have a detailed draft of your story. |
|  | A) | True |
|  | B) | False |
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16 |  |  Enterprise projects are ambitious and unique and may require weeks or even months of research. |
|  | A) | True |
|  | B) | False |
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17 |  |  It is the investigative journalist's job to monitor the conduct and misconduct of government and business, the rich and powerful. |
|  | A) | True |
|  | B) | False |
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18 |  |  Tomorrow's readers will have longer attention spans and be less distracted. They will be more tolerant of the long, detailed stories where reporters provide a multitude of information. |
|  | A) | True |
|  | B) | False |
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19 |  |  In editorials, columns and reviews, the writer's opinions are not just allowed, they're encouraged. |
|  | A) | True |
|  | B) | False |
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20 |  |  The best reviewers write with a critical voice that speaks to aficionados rather than to ordinary readers. |
|  | A) | True |
|  | B) | False |
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