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Chapter 4 True False Quiz
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1

Ansel Adams' photographs are twentieth-century exemplars of the romantic Sublime.
A)True
B)False
2

Church's nineteenth-century painting, Niagara, is NOT an example of the romantic Sublime.
A)True
B)False
3

Photographs of the earth from the moon represent a "high tech" version of the romantic Sublime.
A)True
B)False
4

The medieval mode of representation is NOT based in symbols and stereotypes.
A)True
B)False
5

The medieval way of seeing is spiritually oriented and based both in the intellect and imagination.
A)True
B)False
6

According to Renaissance humanist philosophy, "Man is the measure of all things."
A)True
B)False
7

Renaissance paintings like Bellini's Saint Francis in the Wilderness does NOT embody a scientific and materialist worldview.
A)True
B)False
8

Modern postcard views like that of Mabry Mill do NOT embody the picturesque vision of nature.
A)True
B)False
9

Fan Kuan's Travelers amid Mountains and Streams emphasizes the grandeur and sublimity of nature in a traditional Chinese sense.
A)True
B)False
10

Hokusai's Boy Viewing Mount Fuji places more emphasis on the individual human subject than Fan Kuan's earlier Chinese painting of Travelers amid Mountains and Streams.
A)True
B)False





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